About the author.
Svenja Isabel Hudson is a multidisciplinary artist whose work is rooted in language and threaded throughout with intersectional feminism. As a singer and songwriter, film maker and writer she explores queer identity, sensual longing, and emotional ruptures, centers on nuanced coming-of-age stories, the possibilities untaken—voids created by choice and the subtleties of power.
Born and raised in Germany, Hudson now studies Popular Music in London, a city she proudly calls her new home.
https://www.instagram.com/svisi.hudson
Editors note.
I thoroughly enjoyed the discussion of working-class womanhood and the conversations about precarity. Rawness. It has unsurprisingly strong feminist themes, is class conscious, and explores the place of a woman in contemporary society and what those feelings entail. -Keisha Hubbard (editor)
Issue edited by Isabella Valencia Zapata
My Sugar Daddy is a feminist
my heartbeat in the darkness of the tv playing andrew scott woken from the baritone of your sleep
apnea / mornings in fog up the bridge and down the stairs to drown myself in the jubilee line
i met a girl of my hair color and vocal range / not of my loud mouthful socialclass
in the downstairsbedroom next to an almost-made-it-as-an-actor
my sugar daddy is a feminist
i tell them with my chest tall above mirror
astonishment was a cruel mother that forgot to give milk to her kinds so they turned to disbelieve and
disgust
i always had a way with intimidating people i just met in a dim light / the skinhead in the kitchen
breathed a balloon and my nausea is getting to me
as i read your
"so funny reliving all this great music with you. I feel like I’m a student again."
link to a shared playlist
remembering your "nick drake was a tortured soul
that's why he's a poet"
always wondered if i'm tortured enough to give words a meaning so that my friends small town father would get them as a walsticker for the homeoffice
i like the fact that i can always leave you and you are not allowed to be mad
not like a marriage full of knowledge about the other
knowledge of kids and aunts and how is this colour for the living room
and the first time she stays out longer
you are more gentle
like i am some linen you forgot the washing instructions to
you are one of my favourite mice in the clinical study of a drug i call my time
funny when i didn't realise it's effect
when i lost my head with a videogames addict who would let me finish my stories / you always let me
finish first
i like to see this as reparation i said once in a pub in Scotland close enough to my birthday to make me
delightedly drunk
and a swedish man readjusted his glasses
i like to see this as whatever your hospitality job is
or mine back when my boss touched my arm for too long for minimum wage / back when i cried
everyday before breakfast just to detox
now i only have enough tears for once a week and portion it in perfection and equality
my sugar daddy is a feminist
he lets me talk about the barbarians becoming an important workforce in the roman empire and my
critique on how we think they destroyed it is just the way the romans propagated the situation
while he kisses down my leg to the tip of my toe
and we discuss about specifics and definitions over a wine and my chamomile tea while people
watching the toxic relationship of the couple with three kids two tables away
i turn to my two hearted audience one deep in the table the other one thinking it's her turn to tell about
something you only tell in the smoke and drunkenness of a stranger's home at four in the morning
when council rings twice and all i remember is jumping over the greasy fence in the backyard
i want to go back to westminster, to the lobby, and to all the cities i'll only ever remember with you
By Svenja Isabel Hudson