Winter 2020 GoldDust Editors Winter 2020 GoldDust Editors

Theatricality and Performativity

by Fulya Barou

 
 

by Fulya Barou

Fulya is a theatre & performance maker, researcher, and trainer. Her research and works are informed by her trained disciplines of ballet, theatre, and performance studies with her eclectic background in political science and psychoanalysis. Her research interests are; Interculturalism, Political and Activist Performance, Applied Theatre – particularly theatre with refugees and immigrants, and theatre in prison – Performance Theory, Actor Training and Acting Theory – particularly the use of cognitive science in the acting process – and Performance Philosophy. Fulya enjoys talking about existential crisis and unicorns in her spare time – by linking these two subjects together, yes!

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Winter 2020 GoldDust Editors Winter 2020 GoldDust Editors

The Representations of British People Through British Films

by Mafalda Costa

 
 

by Mafalda Costa

Mafalda Costa is a 2nd year BAJ student. Outside the university, she is a singer-songwriter who has travelled around Europe with her music. As a journalist, she delves into societal issues, arts and culture. Through a cinematic writing, she invites readers to dance with her words.

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Winter 2020 GoldDust Editors Winter 2020 GoldDust Editors

What remains ‘Left out’: A short note on ‘Oronooku’, Aphra Behn and the whiteness of Western feminism.

by Rachael Brown

by Rachael Brown

“This piece interrogates how Aphra Behn, often represented in academic circles as an iconoclastic proto feminist trailblazer, actually embodies the same narrow, white perspective of female liberation that mainstream feminism is criticized today for. Her novel ‘Oroonoko’ is frequently understood as one of the first anti-racist abolitionist texts, but in reality it’s treatment of the black female figure of Imoinda, reveals how Behn’s commitment to proto feminist and anti-racist ideals begins and ends with her own symbolic needs. This reality draws a powerful parallel to today’s discourses surrounding feminist intersectionality and the flaws of ‘White Feminism’.”

Rachael is a writer, artist and Masters student studying MA Media And Communications here at London Goldsmiths. She is passionate about fighting paradigms of oppression and changing society through creative media. When she isn’t writing blogs, short stories and songs you can find her playing video games, singing 1930’s jazz and trying out new recipes.

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